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Niccolò di Bernardo dei Machiavelli (3 May 1469 – 21 June 1527) was an Italian philosopher/writer, and is considered one of the main founders of modern political science.[1] He was a diplomat, political philosopher, musician, and a playwright, but foremost, he was a civil servant of the Florentine Republic. In June of 1498, after the ouster and execution of Girolamo Savonarola, the Great Council elected Machiavelli as Secretary to the second Chancery of the |Republic of Florence.[2]

Like Leonardo da Vinci, Machiavelli is considered a good example of the Renaissance Man. He is most famous for a short political treatise, The Prince, written in 1513, but not published until 1532, five years after Machiavelli's death. Although he privately circulated The Prince among friends, the only work he published in his lifetime was The Art of War, about high-military science. Since the sixteenth century, generations of politicians remain attracted and repelled by the cynical approach to power posited in The Prince and his other works.[3] Whatever his personal intentions, which are still debated today, his surname yielded the modern political word Machiavellianism—the use of cunning and deceitful tactics in politics.

Life[]

Machiavelli was born in Florence, Italy, the third son of attorney Bernardo di Niccolò Machiavelli, and his wife, Bartolomea di Stefano Nelli. The Machiavelli family are believed descended from the old marquesses of Tuscany, and to have produced thirteen Florentine Gonfalonieres of Justice.[4], one of the offices of a group of nine citizens selected by drawing lots every two months, who formed the government.

File:Macchiavelli01.jpg

Statue at the Uffizi

Machiavelli was born in a tumultuous era—Popes waged war, and the wealthy Italian city-states might anytime fall, piecemeal, to foreign powers—France, Spain, the Holy Roman Empire—and political-military alliances continually changed, featuring condottieri who changed sides without warning, and weeks-long governments rising and falling.[citation needed]

Rigorously trained to manhood by his father, Machiavelli was taught grammar, rhetoric and Latin. He did not learn Greek, even though Florence was at the time one of the centers of Greek scholarship in Europe. In 1494, he entered Florentine government service as a clerk and as an ambassador; later that year, Florence restored the republic—expelling the Medici family, who had ruled Florence for some sixty years. He was in a diplomatic council responsible for negotiation and military affairs, undertaking, between 1499 and 1512, diplomatic missions to the courts of Louis XII in France, Ferdinand II of Aragón, in Spain, and the Papacy in Rome, in Italy proper. Moreover, from 1502 to 1503, he witnessed the effective state-building methods of soldier-churchman Cesare Borgia (1475–1507), who was then enlarging his central Italian territories.

Between 1503 and 1506, Machiavelli was responsible for the Florentine militia, including the City’s defense. He distrusted mercenaries (cf. Discourses, The Prince), preferring a politically-invested citizen-militia, a philosophy that bore fruit—his command of Florentine citizen-soldiers defeated Pisa in 1509; yet, in August of 1512, the Medici, helped by Pope Julius II, used Spanish troops to defeat the Florentines at Prato; Piero Soderini resigned as Florentine head of state, and left in exile; then, the Florentine city-state and the Republic were dissolved. For his significant role in the republic's anti-Medici government, Niccolò Machiavelli was deposed from office, and, in 1513, was accused of conspiracy, and arrested. Despite torture "with the rope" (the prisoner is hanged from his bound wrists, from the back, forcing the arms to bear the body's weight, thus dislocating the shoulders), he denied involvement and was released; then, retiring to his estate, at Sant'Andrea in Percussina, near Florence, he wrote the political treatises that earned his intellectual place in the development of political philosophy and political conduct.[5]

File:Santa Croce Firenze Apr 2008 (20).JPG

Machiavelli's cenotaph in the Santa Croce Church in Florence

In a letter to Francesco Vettori, he described his exile:

When evening comes, I return home [from work and from the local tavern] and go to my study. On the threshold, I strip naked, taking off my muddy, sweaty work day clothes, and put on the robes of court and palace, and, in this graver dress, I enter the courts of the ancients, and am welcomed by them, and there I taste the food that alone is mine, and for which I was born. And there I make bold to speak to them and ask the motives of their actions, and they, in their humanity, reply to me. And for the space of four hours I forget the world, remember no vexation, fear poverty no more, tremble no more at death; I pass indeed into their world.[6]

As a writer, Machiavelli identified the unifying theme in The Prince and the Discorsi:

All cities that ever, at any time, have been ruled by an absolute prince, by aristocrats, or by the people, have had for their protection force combined with prudence, because the latter is not enough alone, and the first either does not produce things, or when they are produced, does not maintain them. Force and prudence, then, are the might of all the governments that ever have been or will be in the world.[7]

Machiavelli died in 1527 at the age of 58. He was buried at the Church of Santa Croce in Florence, Italy. An epitaph honouring him is inscribed in a small monument. The Latin legend reads: TANTO NOMINI NULLUM PAR ELOGIUM (No eulogy would be adequate to praise so great a name).

Works[]

See also:

The Prince[]

Main article: The Prince
File:Firenze.PalVecchio.Machiavelli.JPG

Bust of Machiavelli in the Palazzo Vecchio

Realism[]

The Prince's contribution to the history of political thought is the fundamental break between political Realism and political Idealism. Niccolò Machiavelli’s best-known book exposits and describes the arts with which a ruling prince can maintain control of his realm. It concentrates on the "new prince", under the presumption that a hereditary prince has an easier task in ruling, since the people are accustomed to him. To retain power, the hereditary prince must carefully maintain the socio-political institutions to which the people are accustomed; whereas a new prince has the more difficult task in ruling, since he must first stabilize his new-found power in order to build an enduring political structure. That requires the prince being a public figure above reproach, whilst privately acting amorally to achieve State goals. The examples are those princes who most successfully obtain and maintain power, drawn from his observations as a Florentine diplomat, and his ancient history readings; thus, the Latin phrases and Classic examples.

The Prince does not dismiss morality, instead, it politically defines “Morality”—as in the criteria for acceptable cruel action—it must be decisive: swift, effective, and short-lived. Machiavelli is aware of the irony of good results coming from evil actions; notwithstanding some mitigating themes, the Catholic Church proscribed The Prince, registering it to the Index Librorum Prohibitorum, moreover, the Humanists also viewed the book negatively, among them, Erasmus of Rotterdam. As a treatise, its primary intellectual contribution to the history of political thought is the fundamental break between political Realism and political Idealism—thus, The Prince is a manual to acquiring and keeping political power. In contrast with Plato and Aristotle, a Classical ideal society is not the aim of the prince’s will to power. As a political scientist, Machiavelli emphasises necessary, methodical exercise of brute force punishment-and-reward (patronage, clientelism, et cetera) to preserve the status quo.

Satire?[]

As there seems to be a very large difference between Machiavelli's advice to ruthless and tyrannical princes in The Prince and his more republican exhortations in Discorsi, many have concluded that The Prince is actually only a satire. Jean-Jacques Rousseau, for instance, admired Machiavelli the republican and consequently argued that The Prince is a book for the republicans as it exposes the methods used by princes. If the book were only intended as a manual for tyrannical rulers, it contains a paradox: it would apparently be more effective if the secrets it contains would not be made publicly available. Likewise, Antonio Gramsci argued that Machiavelli's audience for this work is the common people because the rulers already knew these methods through their education. This interpretation is supported by the fact that Machiavelli wrote in Italian, not in Latin (which would have been the language of the ruling elite). Although Machiavelli is supposed to be a realist, many of his heroes in The Prince are in fact mythical or semi-mythical, and his goal (i.e. the unification of Italy) was essentially utopian at the time of writing.

"Machiavellian"[]

Sixteenth-century contemporaries adopted and used the adjective Machiavellian (in the sense of devious cunning), often in the introductions of political tracts offering more than government by “Reasons of State”, most notably those of Jean Bodin and Giovanni Botero. Contemporary, pejorative usage of Machiavellian (or anti-Machiavellism in the 16th C.) is a misnomer describing someone who deceives and manipulates others for gain; (personal or not, the gain is immaterial, only action matters, insofar as it affects results). The Prince does not have the moderating themes of his other works; politically, “Machiavelli” denotes someone of politically-extreme perspective;[8] however Machiavellianism remains a popular speech and journalism usage; while in psychology, it denotes a personality type.

Discorsi[]

Main article: Discourses on Livy
File:Cesare borgia-Machiavelli-Corella.jpg

Sebastiano del Piombo,1516,"Cardinal Bandinello Sauli, His Secretary, and Two Geographers." Which is often mistaken for Machiavelli (center right) depicted: (left-right) Cesare Borgia, Pedro Luis de Borja Lanzol de Romaní, and Don Micheletto Corella

The Discourse on the First Ten Books of Titus Livy comprises the early history of Rome. It is a series of lessons on how a republic should be started and structured, including the concept of checks and balances, the strength of a tri-partite political structure, and the superiority of a republic over a principality.

From The Discourses:

  • “In fact, when there is combined under the same constitution a prince, a nobility, and the power of the people, then these three powers will watch and keep each other reciprocally in check”. Book I, Chapter II
  • “Doubtless these means [of attaining power] are cruel and destructive of all civilized life, and neither Christian, nor even human, and should be avoided by every one. In fact, the life of a private citizen would be preferable to that of a king at the expense of the ruin of so many human beings”. Book I, Chapter XXVI
  • “Now, in a well-ordered republic, it should never be necessary to resort to extra-constitutional measures. . . . ” Book I, Chapter XXXIV
  • “. . . the governments of the people are better than those of princes”. Book I, Chapter LVIII
  • “. . . if we compare the faults of a people with those of princes, as well as their respective good qualities, we shall find the people vastly superior in all that is good and glorious”. Book I, Chapter LVIII
  • “For government consists mainly in so keeping your subjects that they shall be neither able, nor disposed to injure you. . . . ” Book II, Chapter XXIII
  • “. . . no prince is ever benefited by making himself hated”. Book III, Chapter XIX
  • “Let not princes complain of the faults committed by the people subjected to their authority, for they result entirely from their own negligence or bad example”. Book III, Chapter XXIX [9]

Other works[]

File:Art of War-1573.jpg

Peter Withorne’s 1573 translation of the Art of War

Besides being a statesman and political scientist, Machiavelli also translated classical works, and was a dramaturge (Clizia, Mandragola), a poet (Sonetti, Canzoni, Ottave, Canti carnascialeschi), and a novelist (Belfagor arcidiavolo).

Some of his other work:

  • Discorso sopra le cose di Pisa (1499)
  • Del modo di trattare i popoli della Valdichiana ribellati (1502)
  • Del modo tenuto dal duca Valentino nell’ ammazzare Vitellozzo Vitelli, Oliverotto da Fermo, etc. (1502) — A Description of the Methods Adopted by the Duke Valentino when Murdering Vitellozzo Vitelli, Oliverotto da Fermo, the Signor Pagolo, and the Duke di Gravina Orsini
  • Discorso sopra la provisione del danaro (1502) — A discourse about the provision of money.
  • Decennale primo (1506), a poem in terza rima.
  • Ritratti delle cose dell’ Alemagna (1508–1512) - Portrait of the affairs of Germany.
  • Decennale secondo (1509), a poem.
  • Ritratti delle cose di Francia (1510) — Portrait of the affairs of France.
  • Andria (1517), a Classical comedy, translated from Terence.
  • Mandragola (1518) — The Mandrake, a five-act prose comedy, with a verse prologue.
  • Della lingua (1514), a dialogue about the language.
  • Clizia (1525), a prose comedy.
  • Belfagor arcidiavolo (1515), a novel.
  • Asino d’oro (1517) — The Golden Ass is a terza rima poem, a new version of the Classic work by Apuleius.
  • Dell’arte della guerra (1519–1520) — The Art of War, high military science.
  • Discorso sopra il riformare lo stato di Firenze (1520) — A discourse about the reforming of Florence.
  • Sommario delle cose della citta di Lucca (1520) — A summary of the affairs of the city of Lucca.
  • Vita di Castruccio Castracani da Lucca (1520) — The Life of Castruccio Castracani of Lucca, a biography.
  • Istorie fiorentine (1520–1525) — Florentine Histories, an eight-volume history book of the city-state, Florence, commissioned by Giulio di Giuliano de’ Medici, later Pope Clement VII.
  • Frammenti storici (1525) — Fragments of stories.

Revival of interest in the 19th and 20th centuries[]

Despite remaining a politically influential writer in the 17th and 18th centuries, it was the 19th and 20th centuries that rediscovered his political science for its intellectual and practical applications. The most reliable guide to this renewed interest is the Introduction to the 1953 (Mentor Books) edition of Il Principe, wherein Christian Gauss, the Dean of Princeton University, discusses, with pertinent historical context, the commentaries on The Prince made by the German historians Ranke (19th c.) and Meineke (20th c.), the Briton Lord Acton, and others. Citing the consensus that Machiavelli was the first political theorist with a practical, scientific approach to statecraft, considering him “the first Modern Man”. The commentators view the political scientist Machiavelli positively—because he viewed the world realistically, thus, such statecraft leads to (generally) constructive results.

In the 20th century there was also renewed interest in Machiavelli's La Mandragola (1518), which received numerous stagings, including several in New York, at the New York Shakespeare Festival in 1976 and the Riverside Shakespeare Company in 1979, and at London's National Theatre in 1984.[10]

Contributions to Political Philosophy[]

Machiavelli was in many respects not an innovator. His largest political work seeks to bring back a rebirth of the Ancient Roman Republic; its values, virtues and principles the ultimate guiding authority of his political vision. Machiavelli is essentially a restorer of something old and forgotten. The republicanism he focused on, especially the theme of civic virtue, became one of the dominant political themes of the modern world, and was a central part of the foundation of American political values.

Machiavelli studied the way people lived and aimed to inform leaders how they should rule and even how they themselves should live. To an extent he admits that the old tradition was true - men are obliged to live virtuously as according to Aristotles Virtue Ethics principle. However, he denies that living virtuously necessarily leads to happiness. Machiavelli viewed misery as one of the vices that enables a prince to rule [11] Machiavelli states boldly in The Prince, The answer is, of course, that it would be best to be both loved and feared. But since the two rarely come together, anyone compelled to choose will find greater security in being feared than in being loved. [12] In much of Machiavelli's work, it seems that the ruler must adopt unsavory policies for the sake of the continuance of his regime.

Hans Baron was the most influential scholar to study Machiavelli. Najemy (1996) examines Baron's ambivalent portrayal, arguing that Baron tended to see Machiavelli simultaneously as the cynical debunker and the faithful heir of civic humanism. By the mid-1950s, Baron had come to consider civic humanism and Florentine republicanism as early chapters of a much longer history of European political liberty, a story in which Machiavelli and his generation played a crucial role. This conclusion led Baron to modify his earlier negative view of Machiavelli. He tried to bring the Florentine theorist under the umbrella of civic humanism by underscoring the radical differences between The Prince and the Discourses and thus revealing the fundamentally republican character of the Discourses. However, Baron's inability to come to terms with Machiavelli's harsh criticism of early 15th-century commentators such as Leonardo Bruni ultimately prevented him from fully reconciling Machiavelli with civic humanism.

Pocock (1981) traces the Machiavellian belief in and emphasis upon Greco-Roman ideals of unspecialized civic virtue and liberty from 15th-century Florence through 17th-century England and Scotland to 18th-century America. Thinkers who shared these ideals tended to believe that the function of property was to maintain an individual's independence as a precondition of his virtue. Consequently, in the last two times and places mentioned above, they were disposed to attack the new commercial and financial regime that was beginning to develop. However, Paul Rahe (1992) takes issue with Pocock on the origins and argues Machiavelli's republicanism was not rooted in antiquity but was is entirely novel and modern. Scholars have argued that James Madison followed Machiavelli's republicanism when he (and Jefferson) set up the Democratic-Republican Party in the 1790s to oppose what they saw as the emerging aristocracy that they feared Alexander Hamilton was creating with the Federalist Party.[13] Conservative historians likewise conclude that Thomas Jefferson's republicanism was "deeply in debt" to Machiavelli, whom he praised.[14]

The 20th century Italian Communist, Antonio Gramsci drew great inspiration from Machiavelli's writings on ethics, morals, and how they relate to the State and revolution in his writings on Passive Revolution, and how a society can be manipulated by controling popular notions of morality.[15]

Realist or evil?[]

For four centuries scholars have debated whether Machiavelli was the theorist of evil or just being realistic. The Prince made the word "Machiavellian" a byword for deceit, despotism, and political manipulation. Some historians argue Machiavelli had a secret (or very subtle) message that explains away the ugly implications of the plain text, saying that Machiavelli really favored virtue after all and was just trying to trick princes into policies that would lead to their overthrow, not their triumph.[16]

Leo Strauss, the American political philosopher, declared himself more inclined toward the traditional view that Machiavelli was a "teacher of evil," since he counsels the princes to avoid the values of justice, mercy, temperance, wisdom, and love of their people in preference to the use of cruelty, violence, fear, and deception.[17] Italian anti-fascist philosopher Benedetto Croce (1925) concludes Machiavelli is simply a "realist" or "pragmatist" who accurately states that moral values in reality do not greatly affect the decisions that political leaders make.[18] German philosopher Ernst Cassirer (1946) held that Machiavelli simply adopts the stance of a political scientist—a Galileo of politics—in distinguishing between the "facts" of political life and the "values" of moral judgment.[19]

Thoughts on the State[]

Machiavelli was not a political philosopher in the ordinary sense. He did not try either to define the State or to justify its existence. His views about the State are implied as matter of course when he describes how a ruler may retain or acquire control, how he is liable to lose it, which qualities are necessary for a republic to remain strong, or how precarious a Republic’s liberty can be at times. Medieval thinkers had taken the political authority of any prince or king in the community of Christendom to be necessarily limited – by the Emperor (In the case of the Holy Roman Empire), by the power of the Roman Catholic Church in spiritual matters and by the power of natural law (Universal moral principles) that determine the boundaries of justice. Machiavelli did not challenge this long held traditional position. He ignored it, writing as a matter of fact that the state had absolute authority. He thought that the value of religion lies in its contribution to social order and the rules of morality must be dispensed with if security required it.

Machiavelli further differed from medieval thinkers in taking for granted that the power of the state is a single whole and can be centrally controlled, irrespective of whether the state is a monarchy or a republic. He preferred a republic because he preferred liberty. However, he believed that in order for the liberty of republicanism to function, it needed a citizenry who were independent and courageous (Virtuous). Machiavelli believed these qualities were rare and existed hardly anywhere in the Europe of his day since the Romans.

Impact on America[]

The Founding Fathers read Machiavelli closely. In his Defence of the Constitutions of Government of the United States, John Adams praised Machiavelli, with Algernon Sidney and Montesquieu, as a philosophic defender of mixed government. For Adams, Machiavelli restored empirical reason to politics, while his analysis of factions was commendable. Adams likewise agreed with the Florentine that human nature was immutable and driven by passions. He also accepted Machiavelli's belief that all societies were subject to cyclical periods of growth and decay. For Adams, Machiavelli lacked only a clear understanding of the institutions necessary for good government.[20]

See also[]

  • Chanakya
  • Ibn Khaldun
  • Timeline of Niccolò Machiavelli

Notes[]

  1. Moschovitis Group Inc, Christian D. Von Dehsen and Scott L. Harris, Philosophers and religious leaders, (The Oryx Press, 1999), 117.
  2. White, Michael (2007). Machiavelli, A Man Misunderstood, Abacus..
  3. S. Anglo, Machiavelli: the first century (Oxford, 2005)
  4. Template:CathEncy
  5. Donna, Daniel, in the introduction to the Bantam Classic edition of The Prince, Bantam, 1966
  6. The Literary Works of Machiavelli, trans. J.R. Hale. (Oxford: 1961), p. 139 D.
  7. "Words to be Spoken on the Law for Appropriating Money", in Chief Works and Others [of Machiavelli], trans. Allan H. Gilbert, 3 vols. (Durham, NC: Duke Univ. Press, 1965), v. III, 1439.
  8. In one scholar's assessment, mistakenly so. Writes Anthony Parel: "The authentic Machiavelli is one who subordinates personal interests for the common good . . . If one is to speak of a Machiavellian personality one should mention Moses and Romulus (to use [M's] own examples)." For more on the three sources of historical anti-Machiavellism, see Further Reading, Parel, pp. 14-24, and (in far greater detail): Sydney Anglo, Machiavelli - the First Century: Studies in Enthusiasm, Hostility, and Irrelevance, Oxford University Press, 2005, ISBN 0199267766, 9780199267767.
  9. The Modern Library, New York, 1950, translated by Christian E. Detmold.
  10. Review by Jann Racquoi, Heights/Inwood Press of North Manhattan, March 14, 1979.
  11. Leo Strauss, Joseph Cropsey, History of Political Philosophy (1987) p. 300
  12. Niccolò Machiavelli, The Prince, p. 60
  13. Gary Rosen in Rahe, ed. Machiavelli's Liberal Republican Legacy (2005) p. 231 online
  14. Rahe, Jefferson's Machiavellian Political Science in Rahe, ed. Machiavelli's Liberal Republican Legacy (2005) p. 209 online
  15. Marcia Landy, "Culture ansd Politics in the work of Antonio Gramsci," 167–88, in Antonio Gramsci: Intellectuals, Culture, and the Party, ed. James Martin (New York: Routledge, 2002).
  16. John Langton and Mary G. Deitz, "Machiavelli's Paradox: Trapping or Teaching the Prince" The American Political Science Review, Vol. 81, No. 4 (Dec., 1987), pp. 1277-1288 at JSTOR
  17. Leo Strauss, Thoughts on Machiavelli (1957), p 9 online
  18. Benedetto Croce, My Philosophy (1949), p. 142 online
  19. Ernst Cassirer, The Myth of the State, (1946) p.136, online
  20. C. Bradley Thompson, "John Adams's Machiavellian Moment," Review of Politics 1995 57(3): 389-417, in EBSCO

References[]

  • Machiavelli, Niccolò (1531). The Discourses. Translated by Leslie J. Walker, S.J, revisions by Brian Richardson (2003). London: Penguin Books. ISBN 0-140-44428-9

Further reading[]

  • Anglo, Sydney, Machiavelli - the First Century: Studies in Enthusiasm, Hostility, and Irrelevance, Oxford University Press, 2005, ISBN 0199267766, 9780199267767
  • Baron, Hans (1961). Machiavelli: the Republican Citizen and Author of The Prince. English Historical Review lxxvi (76): 217–253.
  • Bock, Gisela; Quentin Skinner and Maurizio Viroli, ed. (1990). Machiavelli and Republicanism, Cambridge University Press.
  • Constantine, Peter (2007). The Essential Writings of Machiavelli, New York: Random House Modern Library.
  • Donaldson, Peter S. (1989). Machiavelli and Mystery of State, Cambridge University Press.
  • Everdell, William R. (1983, 2000). The End of Kings: A History of Republics and Republicans, University of Chicago Press.
  • Hoeges, Dirk. Niccolò Machiavelli. Dichter-Poeta. Mit sämtlichen Gedichten, deutsch/italienisch. Con tutte le poesie, tedesco/italiano, Reihe: Dialoghi/Dialogues: Literatur und Kultur Italiens und Frankreichs, Band 10, Peter Lang Verlag, Frankfurt/M. u.a. 2006, ISBN 3-631-54669-6.
  • Ingersoll, David E. (December 1968). The Constant Prince: Private Interests and Public Goals in Machiavelli. Western Political Quarterly (21): 588–596.
  • Magee, Brian (2001). The Story of Philosophy, 72–73, New York: DK Publishing.
  • Marriott, W. K. (2008). The Prince, Red and Black Publishers. ISBN 978-0-934941-003
  • Roger Masters (1996). Machiavelli, Leonardo and the Science of Power, University of Notre Dame Press. See also NYT book review.
  • Roger Masters (1998). Fortune is a River: Leonardo Da Vinci and Niccolo Machiavelli's Magnificent Dream to Change the Course of Florentine History, Simon & Schuster. Also available in Chinese (ISBN 9789572026113), Japanese (ISBN 9784022597588), German (ISBN 9783471794029), Portuguese (ISBN 9788571104969), and Korean (ISBN 9788984070059). See also NYT book review.
  • Mattingly, Garrett (Autumn 1958). Machiavelli's Prince: Political Science or Political Satire?. The American Scholar (27): 482–491.
  • Najemy, John M. (1996). Baron's Machiavelli and Renaissance Republicanism. American Historical Review 101 (101,1): 119–129.
  • Parel, Anthony (1972). "Introduction: Machiavelli's Method and His Interpreters" The Political Calculus: Essays on Machiavelli's Philosophy, 3–28.
  • Pocock, J.G. A. [1975]. The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition, Princeton.
  • Soll, Jacob (2005). Publishing The Prince: History, Reading and the Birth of Political Criticism, University of Michigan Press.
  • Strauss, Leo (1978). Thoughts on Machiavelli, Chicago: University of Chicago Press.
  • Sullivan, Vickie B., ed. (2000). The Comedy and Tragedy of Machiavelli: Essays on the Literary Works, Yale U. Press.
  • Sullivan, Vickie B. (1996). Machiavelli's Three Romes: Religion, Human Liberty, and Politics Reformed, Northern Illinois University Press.
  • Seung, T. K. (1993). Intuition and Construction: The Foundation of Normative Theory, New Haven: Yale University Press. See pp. 133–43.
  • Stefano Zen, Veritas ecclesiastica e Machiavelli, in Monarchia della verità. Modelli culturali e pedagogia della Controriforma, Napoli, Vivarium, 2002 (La Ricerca Umanistica, 4), pp. 73–111.
  • von Vacano, Diego, "The Art of Power: Machiavelli, Nietzsche and the Making of Aesthetic Political Theory," Lanham MD: Lexington: 2007.
  • Viroli, Maurizio (2000). Niccolò's Smile: A Biography of Machiavelli, Farrar, Straus & Giroux.
  • Whelan, Frederick G. (2004). Hume and Machiavelli: Political Realism and Liberal Thought.
  • Wootton, David, ed. (1994). Selected political writings of Niccolò Machiavelli, Indianapolis: Hackett Pubs..
  • Mascia Ferri, L'opinione pubblica e il sovrano in Machiavelli, in «The Lab's Quarterly»,n.2 aprile-giugno,Università di Pisa,2008, pp. 420–433.
  • Giuseppe Leone,"Silone e Machiavelli: una scuola... che non crea prìncipi", Prefazione di Vittoriano Esposito, Centro Studi Ignazio Silone, Pescina, 2003.

Specialized studies[]

Biographies[]

  • Burd, L. A., "Florence (II): Machiavelli" in Cambridge Modern History (1902), vol. I, ch. vi. pp 190–218 online Google edition
  • de Grazia, Sebastian. Machiavelli in Hell (1989), highly favorable intellectual biography; won the Pulitzer Prize; excerpt and text search
  • Hale, J. R. Machiavelli and Renaissance Italy (1961) online edition
  • Hulliung, Mark. Citizen Machiavelli (1983)
  • Ridolfi, Roberto. The Life of Niccolò Machiavelli (1963), a standard scholarly biography
  • Schevill, Ferdinand. Six Historians (1956), pp. 61–91
  • Skinner, Quentin. Machiavelli: A Very Short Introduction (2000) online edition
  • Villari, Pasquale. The Life and Times of Niccolò Machiavelli (2 vol 1892), good older biography; online Google edition vol 1; online Google edition vol 2
  • Viroli, Maurizio. Niccolo's Smile : A Biography of Machiavelli (2000) excerpt and text search
  • Viroli, Maurizio. Machiavelli (1998) online edition, good place to start

Political thought[]

  • Arciniegas, Germán. "Savonarola, Machiavelli, and Guido Antonio Vespucci: Totalitarian and Democrat 500 Years Ago," Political Science Quarterly, (1954) 69:184-201, argues that modern totalitarianism is a blending of Machiavelli's theories and Savonarola's techniques of rabble rousing. in JSTOR
  • Ball, Terence. "The Picaresque Prince: Reflections on Machiavelli and Moral Change," Political Theory, Vol. 12, No. 4 (Nov., 1984), pp. 521–536 in jstor
  • Baron, Hans. The Crisis of the Early Italian Renaissance: Civic Humanism and Republican Liberty in an Age of Classicism and Tyranny (2 vol 1955), highly influential, deep study of civic humanism (republicanism); 700 pp. excerpts and text search; ACLS E-books; also vol 2 in ACLS E-books
  • Baron, Hans. In Search of Florentine Civic Humanism (2 vols. 1988).
  • Baron Hans, "Machiavelli: The Republican Citizen and the Author of The Prince" in The English Historical Review 76 (1961), pp. 217–53. in JSTOR
  • Bock, Gisela; Skinner, Quentin; and Viroli, Maurizio, ed. Machiavelli and Republicanism. (1990). 316 pp. excerpt and text search
  • Butterfield, Herbert. The Statecraft of Machiavelli (1940).
  • Chabod, FedericoMachiavelli & the Renaissance (1958) online edition; online from ACLS E-Books
  • Colish, Marcia L. "Republicanism, Religion, and Machiavelli's Savonarolan Moment," Journal of the History of Ideas, Vol. 60, No. 4 (Oct., 1999), pp. 597–616 in JSTOR
  • Colish, Marcia L. "Machiavelli's Art of War: A Reconsideration," Renaissance Quarterly, Vol. 51, No. 4 (Winter, 1998), pp. 1151–1168 in JSTOR
  • Fischer, Markus. "Machiavelli's Political Psychology," The Review of Politics, Vol. 59, No. 4 (Autumn, 1997), pp. 789–829 in JSTOR
  • Gilbert, Felix. Machiavelli and Guicciardini: Politics and History in Sixteenth-Century Italy (2nd ed. 1984) online from ACLS-E-books
  • Gilbert, Felix. "Machiavelli: The Renaissance of the Art of War," in Edward Mead Earle, ed. The Makers of Modern Strategy (1944)
  • Jensen, De Lamar, ed. Machiavelli: Cynic, Patriot, or Political Scientist? (1960) essays by scholars online edition
  • Lukes, Timothy J. "Lionizing Machiavelli," The American Political Science Review, Vol. 95, No. 3 (Sep., 2001), pp. 561–575 in JSTOR
  • Lukes, Timothy J. "Martialing Machiavelli: Reassessing the Military Reflections," The Journal of Politics, Vol. 66, No. 4 (Nov., 2004), pp. 1089–1108 in JSTOR
  • Femia, Joseph V. Machiavelli Revisited (2004) online edition, 140pp, good place to start
  • McCormick, John P. "Machiavelli against Republicanism: On the Cambridge School's 'Guicciardinian Moments,'" Political Theory, Vol. 31, No. 5 (Oct., 2003), pp. 615–643 in JSTOR
  • Mansfield, Harvey C. Machiavelli's New Modes and Orders: A Study of the Discourses on Livy (2001) excerpt and text search
  • Mansfield, Harvey C. Machiavelli's Virtue (1996), 371pp
  • Mansfield, Harvey C. "Machiavelli's Political Science," The American Political Science Review, Vol. 75, No. 2 (Jun., 1981), pp. 293–305 in JSTOR
  • Mindle, Grant B. "Machiavelli's Realism," The Review of Politics, Vol. 47, No. 2 (Apr., 1985), pp. 212–230 in JSTOR
  • Najemy, John M. "Baron's Machiavelli and Renaissance Republicanism." American Historical Review 1996 101(1): 119-129. ISSN 0002-8762 Fulltext in Jstor.
  • Nederman, Cary J. "Amazing Grace: Fortune, God, and Free Will in Machiavelli's Thought," Journal of the History of Ideas 60: 617-638. in JSTOR
  • Parel, A. J. "The Question of Machiavelli's Modernity," The Review of Politics, Vol. 53, No. 2 (Spring, 1991), pp. 320–339 in JSTOR
  • Pellerin, Daniel. "Machiavelli's Best Fiend." History of Political Thought 2006 27(3): 423-453. Issn: 0143-781x on Pope Alexander VI
  • Pocock, J.G.A. The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition (1975; new ed. 2003), a highly influential study of Discourses and its vast influence; excerpt and text search; also online 1975 edition
  • Pocock, J. G. A. "The Machiavellian Moment Revisited: a Study in History and Ideology.: Journal of Modern History 1981 53(1): 49-72. Fulltext: in Jstor.
  • Rahe, Paul A. Machiavelli's Liberal Republican Legacy (2005) excerpt, reviews and text search, shows Machiavelli's Discourses had a major impact on shaping conservative thought.
  • Rahe, Paul. Republics Ancient and Modern: Classical Republicanism and the American Revolution, (1992) online edition
  • Scott, John T. and Vickie B. Sullivan, "Patricide and the Plot of the Prince: Cesare Borgia and Machiavelli's Italy." American Political Science Review 1994 88(4): 887-900. Issn: 0003-0554 in Jstor
  • Skinner, Quentin. The Foundations of Modern Political Thought, v. I, The Renaissance, (1978)
  • Strauss, Leo. On Machivelli (1957)
  • Stanford Encyclopedia of Philosophy. Niccolò Machiavelli (2005) online edition
  • Struever, Nancy S. The Language of History in the Renaissance: Rhetoric and Historical Consciousness in Florentine Humanism (1970)
  • Wight, Martin. Four Seminal Thinkers in International Theory: Machiavelli, Grotius, Kant, and Mazzini (2005), ch. 1 online edition

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