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The term social criticism locates the reasons for malicious conditions of the society in flawed social structures. People adhering to a social critics aim at practical solutions by specific measures, often consensual reform but sometimes also by powerful revolution.

European roots[]

Religious repression was common in Europe and reason for physical or mental exodus within Europe. From such experience resulted one of the first documents of a social critics: the Testament of Jean Meslier.

Protest experience with political theories[]

Repression experienced by a minority (e.g., Homosexuality) often leads to protest. Without sufficient resolution of the dispute, a social criticism can be formulated, often covered by political groups (political monopoly). For protesting people within a progressive social movement it is often frustrating to experience failure of the movement to its own progressive agenda.

The positivism dispute between critical rationalism (e.g. Karl Popper) and the Frankfurt School is the academic form of the same discrepancy. This dispute deals with the question whether the research in the social sciences should be "neutral" or consciously adopt the partisan view.

Academic forms[]

Academic works of social criticism can belong to social philosophy, political economy, sociology, social psychology, psychoanalysis but also cultural studies and other disciplines or reject academic forms of discourse.

In literature and music[]

Social criticism can also be expressed in a fictional form, e.g., in a revolutionary novel like The Iron Heel by Jack London or in dystopian novels like Aldous Huxley's Brave New World (1932) or George Orwell's Nineteen Eighty-Four (1949) or Ray Bradburys Fahrenheit 451 (1953), children's books or films.

Fictional literature can have a significant social impact. "For example, the 1852 novel Uncle Tom's Cabin, by Harriet Beecher Stowe furthered the antislavery movement in the United States, and the 1885 novel Ramona, by Helen Hunt Jackson, brought about changes in laws regarding Native Americans. Similarly, Upton Sinclair's 1906 novel The Jungle helped create new laws related to public health and food handling, and Arthur Morrison's 1896 novel A Child of the Jago caused England to change its housing laws. George Orwell and Charles Dickens wrote Animal Farm and A Tale of Two Cities, respectively, to express their disillusionment with society and human nature. Animal Farm, written in 1944, is a book that tells the animal fable of a farm in which the farm animals revolt against their human masters. It is an example of social criticism in literature in which Orwell satirized the events in Russia after the Bolshevik Revolution. He anthropomorphises the animals, and alludes each one to a counterpart in Russian history. A Tale of Two Cities also typifies this kind of literature. Besides the central theme of love, is another prevalent theme, that of a revolution gone bad. He shows us that, unfortunately, human nature causes us to be vengeful and, for some of us, overly ambitious. Both these books are similar in that both describe how, even with the best of intentions, our ambitions get the best of us. Both authors also demonstrate that violence and the Machiavellian attitude of "the ends justifying the means" are deplorable. They also express their authors' disenchantment with the state of evolution of human nature.

They seem to be saying, that even when we begin with honourable intentions, there will be some of us who will let their base instincts take control. Orwell, in Animal Farm portrays this nature by parodying events in real history. Given the right conditions, those events could happen anywhere - a leader becoming overly ambitious, to the point of harming his people for more power. In A Tale of Two Cities, Dickens examines the inner soul, and shares with us how people are driven to the valley of human emotions, where desperation and anger reign, and what could happen afterwards if we let these emotions build up inside. Every human being is capable of becoming a ruthless, opportunistic being like Napoleon or Madame Defarge, if placed in the right place, at the right time.

Musical expressions of social criticism are very frequent in punk and rap music, examples being "Pretty Vacant" by Sex Pistols and "Brenda's Got a Baby" by 2Pac, respectively. Heavy metal bands such as Metallica and Megadeth also use social criticism extensively, particularly in their earlier works.

See also[]

  • Étienne de La Boétie: Discourse on Voluntary Servitude (circa 1560)
  • Thomas Jefferson: A Summary View of the Rights of British America (1774)
  • Immanuel Kant: "On the question, what is enlightenment?" (1784)
  • Edmund Burke: Reflections on the Revolution in France (1790)
  • Mary Wollstonecraft, A Vindication of the Rights of Woman, (1792)
  • Charles Dickens, A Tale of Two Cities, (1859)
  • Karl Marx, The Communist Manifesto (1848)
  • John Ruskin, Unto This Last (1860)
  • Karl Marx, Capital (1867)
  • Mikhail Bakunin, Statism and Anarchy (1873)
  • William Morris, News from Nowhere (1890)
  • W. E. B. DuBois, The Souls of Black Folk, (1903)
  • Walter Benjamin: Critique of Violence (1921)
  • Georg Lukács: History and Class Consciousness (1923)
  • Virginia Woolf: A Room of One's Own (1929)
  • Sigmund Freud: Civilization and Its Discontents (1930)
  • A. J. Cronin: The Stars Look Down (1935)
  • A. J. Cronin: The Citadel (1937)
  • Virginia Woolf: Three Guineas (1938)
  • Henry Miller: The Air-Conditioned Nightmare (1945)
  • Max Horkheimer/Theodor W. Adorno: Dialectic of Enlightenment (1947)
  • Simone de Beauvoir: The Second Sex (1949)
  • Aimé Césaire, Discourse on colonialism (1950)
  • Frantz Fanon: The Wretched of the Earth (1961)
  • Jane Jacobs: The Death and Life of Great American Cities (1961)
  • Rachel Carson: Silent Spring (1962)
  • Betty Friedan: The Feminine Mystique (1963)
  • Herbert Marcuse: One-Dimensional Man (1964)
  • Guy Debord: The Society of the Spectacle (1967)
  • Gilles Deleuze and Felix Guattari: Anti-Oedipus: Capitalism and Schizophrenia (1972)
  • Guy Hocquenghem: Homosexual Desire (1972)
  • Harry Braverman: Labor and Monopoly Capital: The Degradation of Work in the Twentieth Century (1974)
  • Michel Foucault: Discipline and Punish (1975)
  • Cornelius Castoriadis: The Imaginary Institution of Society (1975)
  • Joseph Weizenbaum: Computer Power and Human Reason (1976)
  • Howard Zinn: A People's History of the United States (1980)
  • Judith Butler, Gender Trouble (1989)
  • Giannina Braschi, "Yo-Yo Boing!" (1998)
  • Raewyn Connell, Masculinities (1995)
  • Noam Chomsky: Manufacturing Consent (1988), Profit over people (2000)
  • Patricia D. Netzley (1999), Social Protest Literature. An Encyclopedia of Works, Characters, Authors and Themes, Santa Barbara, Denver, Oxford: ABC-Clio, 1999
  • Alexander Bard and Jan Söderqvist, Netocracy - The New Power Elite and Life After Capitalism, Reuters/Pearson, 2002
  • Simon Head: The New Ruthless Economy. Work and Power in the Digital Age, Oxford UP 2005
  • Gilbert Rist, The History of Development: From Western Origins to Global Faith, Expanded Edition, London: Zed Books, 2003
  • Khen Lampert , Traditions of Compassion; from Religious duty to Social Activism, Palgrave-Macmillan, 2005


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